Sunday, April 24, 2016

Sci-Fi writers predicted today's reality

10 Sci-Fi Dystopias That Are Everyday Realities Today

by Mark Oliver 
Ray Bradbury once said, “I wasn’t trying to predict the future. I was trying to prevent it.” Really, that’s the whole point of science fiction. The genre has never been about predicting new technologies. Instead, its purpose is to warn us about the dark future to come, if we don’t change our path. 

Occasionally, we listen and learn, and then society improves. But other times, we don’t. And while the present day seems quite ordinary to us, the reality is that our modern era was once a horrible, terrifying nightmare that sci-fi writers desperately tried to stop.


10 ‘Number 12 Looks Just Like You’ Warned Us About South Korea’s Plastic Surgery Obsession

When The Twilight Zone first aired on TV, cosmetic surgery barely existed. It was only used for the absolute worst medical cases. The idea of someone getting their face restructured just for the sake of looking pretty still seemed outlandish to most people.

But not to the writers of The Twilight Zone. As it turns out, they knew exactly what was coming.

In the episode “Number 12 Looks Just Like You,” we’re taken to a future where every person is expected to go through a “transformation” at age 18. This surgery completely changes their face to resemble one of a small number of gorgeous models. It’s such a big change that teenagers are appointed therapists to deal with the stress of waiting to become beautiful.

When they wrote it, the Twilight Zone writers were just worried about girls using too much make-up. But in South Korea, the world is more like “Number 12 Looks Just Like You” than even the writers could have predicted.

A shocking one in three girls in South Korea have had plastic surgery, and just like in the story, the results are drastic. So much so that plastic surgeons now have to hand out certificates proving that the attractive girl in question is really the same drab-looking person on her ID.

Just like in the story, plastic surgery is a common graduation gift for girls after high school. It really seems like they’re living in the Twilight Zone. Girls suffering through high school, unable to live up to the unreal standards that adults have created, and then conforming to one of a few faces as soon as they turn 18.


9 ‘The Veldt’ Warned Us About Video Game Violence

When Ray Bradbury wrote his short story, “The Veldt,” televisions were just coming into homes for the first time, and these inventions changed everything, especially parenting. It’s kind of hard to imagine how parents did it before Dora the Explorerwas around to help out. Raising a child was a much different thing back in the day . . . and Bradbury was terrified about how it might change. 

In “The Veldt,” Bradbury writes about a family that uses a “nursery”—basically, an interactive TV—to keep their kids entertained. The children end up being raised more by the nursery than by the parents, and that’s when the kids start going savage. It gets so bad that, when the worried parents finally shut the nursery down, the kids murder them.

Perhaps Bradbury’s story sounds kind of far-fetched. How could TV make a kid murder his parents? Well, the thing is, it actually happened. The exact events of the story played out in real life.

A 14-year-old boy named Noah Crooks was obsessed with video games, and just like in the story, his mother began to worry about how it was affecting him. His grades were going down, and he was becoming more and more prone to violence. And just like in the story, his mother decided to shut the video games down. 
Noah didn’t take this well. He erupted in a fit of rage and murdered his own mother.

Sure, Noah isn’t exactly normal, but neither are the kids in the story. They’re portrayed as an extreme symptom of a larger problem. Ray Bradbury wasn’t saying everyone would murder their parents. Instead, he argued that children would lose enough parental guidance that it could possibly happen. And maybe Bradbury was right. Maybe TV and video games have really messed us up, but we’re just so used to them that we don’t even realize it.


8 ‘The Machine Stops’ Warned Us About Facebook Friendships

When it came out in 1909, “The Machine Stops” seemed like a bit of an overreaction. The telephone had just started to enter into people’s homes, and E.M. Forster was already worried that society was somehow ruined. He imagined a ridiculous future where people would spend all their time indoors, sitting at machines, while sending short, pithy thoughts to thousands of “friends” they’d never met, and “liking” things as their main source of human interaction.

Sure, this probably sounded paranoid in 1909. After all, it was just a telephone. But today, our reality is almost exactly like the world in “The Machine Stops.” The story’s depiction of long-distance interactions is eerily similar to social media. The idea of having thousands of online friends you’ve never met is a terrifyingly dead-on prediction of Facebook. And the way people in the story send out short, one-sentence thoughts is basically an old-timey Twitter.

But it’s more than just the inventions, though. The whole culture Forster predicted in 1909 is just like ours. For example, Forster portrayed social media as a form of distraction. When the protagonist of the story starts to feel sadness for her son, she’s immediately pulled out of her thoughts by the ability to “like” things. And according to some people, that’s exactly what happens in real life. Some claim that social media really does distract us from our families and emotions by giving us hard-to-ignore jolts of stimulation.

There’s also our attitude toward the outdoors. In the story, going outside for pleasure is considered weird. Now, most people won’t say that out loud, but it does seem to be our view today. According to one study, only about 1 percent of Americans actually participate in nature-based activities

The final message of the story is that our connection to nature and our families is what brings us happiness, not social media. Similarly, a study of college students showed that heavy Facebook users are more likely to be depressed, so maybe that message hits home for us, too.

For a story written in 1909, the overlaps are incredible. The only thing Forster got wrong was that he thought some robotic dictator would force us into this scenario. In reality, we were happy to do it ourselves.

Continue reading here.

Thursday, April 21, 2016

Playboy talks to Kurzweil

Reinvent Yourself: The Playboy Interview with Ray Kurzweil
by David Hochman at Playboy.com
Many think author, inventor and data scientist Ray Kurzweil is a prophet for our digital age. A few say he’s completely nuts. Kurzweil, who heads a team of more than 40 as a director of engineering at Google, believes advances in technology and medicine are pushing us toward what he calls the Singularity, a period of profound cultural and evolutionary change in which computers will outthink the brain and allow people—you, me, the guy with the man-bun ahead of you at Starbucks—to live forever. He dates this development at 2045.
Raymond Kurzweil was born February 12, 1948, and he still carries the plain, nasal inflection of his native Queens, New York. His Jewish parents escaped Hitler’s Austria, but Kurzweil grew up attending a Unitarian church. He worshipped knowledge above all, and computers in particular. His grandmother was one of the first women in Europe to earn a Ph.D. in chemistry. His uncle, who worked at Bell Labs, taught Ray computer science in the 1950s, and by the age of 15, Kurzweil was designing programs to help do homework. Two years later, he wrote code to analyze and create music in the style of various famous composers. The program won him the prestigious Westinghouse Science Talent Search, a prize that got the 17-year-old an invitation to the White House. That year, on the game show I’ve Got a Secret, Kurzweil pressed some buttons on a data processor the size of a small car. It coughed out original sheet music that could have been written by Brahms. 
After earning degrees in computer science and creative writing at MIT, he began to sell his inventions, including the first optical character recognition system that could read text in any normal font. Kurzweil knew a “reading machine” could help the blind, but to make it work, he first had to invent a text-to-speech synthesizer, as well as a flatbed scanner; both are still in wide use. In the 1980s Kurzweil created the first electronic music keyboard to replicate the sound of a grand piano and many other instruments. If you’ve ever been to a rock concert, you’ve likely seen the name Kurzweil on the back of a synthesizer. 
These days, Kurzweil plays the role of tech oracle to the Silicon Valley elite. His best-selling titles The Age of Intelligent Machines and The Singularity Is Near offer eerily specific forecasts on artificial intelligence, biotechnology and human evolution. Much of his work sounds like science fiction, but Kurzweil rationally lays out his vision at symposia, college lectures and confabs such as SXSW and TED. 
At 68, Kurzweil has his fingers in many pots. He co-founded Singularity University, a research institute and think tank that focuses on how science can solve humanity’s challenges involving water scarcity, overpopulation and energy shortfalls. His Google team is developing tools for machine intelligence and natural language understanding, including a series of “chatbots” that can converse with you and have different personalities. In his spare time, Kurzweil started a hedge fund and just finished his first novel. He is a husband, father and grandfather. 
Contributing Editor David Hochman, who last interviewed Rachel Maddow for Playboy, spent extended time in San Francisco with Kurzweil. “Talking to Ray is a little like chatting with Einstein, Mr. Spock and the Google guys all at once,” Hochman says. “His intelligence is off the charts. He knows everything about everything, and it’s all filtered through the lens of whatever’s at the forefront of the wired world.” Kurzweil, who wore a Google watch on one wrist and a Mickey Mouse watch on the other, spoke for hours with his gaze fixed on the middle distance, as if he were in a kind of trance, Hochman says. The biggest surprise? “We were together for two days, and Ray didn’t check his e-mail or text messages once.”

You describe a near future in which nanobots inhabit our bloodstreams, our brains upload to the cloud and people never die. It sounds terrifying.
When people talk about the future of technology, especially artificial intelligence, they very often have the common dystopian Hollywood-movie model of us versus the machines. My view is that we will use these tools as we’ve used all other tools—to broaden our reach. And in this case, we’ll be extending the most important attribute we have, which is our intelligence. 
The capability of information technology doubles each year. At the same time, the price of the same functionality comes down by half every year. These are all features of what I call the law of accelerating returns. It’s why you can buy an iPhone or an Android phone that’s twice as good as the one two years ago for half the price. My smartphone is several thousand times more powerful and millions of times less expensive than the $11 million IBM 7094 computer I used when I was an undergraduate at MIT in 1965. But that’s not the most interesting thing about my phone. If I want to multiply computational and communication power by 10,000—that is to say, if I need to access 10,000 computers—I can do that in the cloud, and that happens all the time. We’re not even aware of it. Do a complex language translation, a complex search or many other types of transactions, and you’re accessing thousands of computers while you sit quietly in a park somewhere. Over the next couple of decades we’re going to make ourselves smarter by integrating with these tools.
Continue reading at Playboy.


Thursday, April 14, 2016

An early George Gershwin song from the musical "Miss 1917"

  Today, February 12,2024, marks the 100th anniversary of the debut of George Gershwin's "Rhapsody in Blue" in Aeolian Hall in...